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  • Norwich Art Supplies | Print-Making
    Print Making Miscellaneous Shop on line Michael Harding Oils Charles Oil Colours R F Encaustics Schmincke MUSSINI Sennelier Egg Tempera Printmaking Inks Easels da Vinci Brushes Schmincke Horadam Gouache Etching Presses Terms Conditions Contact Us Print Making Lino Rollers Lino cutting tools Caligo relief and etching ink Charbonnel Etching ink Schmincke water based relief inks Our range of print making papers is very extensive Presses We often have a selection

    Original URL path: http://www.norwichartsupplies.co.uk/print-making.asp (2016-04-26)
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  • Norwich Art Supplies | Miscellaneous
    here to find out about all the random things I couldn t slot into other sections We offer a Picture Stretching service using top quality stretcher bars but please note we do not have any deep profile bars Please contact to discuss your requirements and get a quote We also make up bespoke canvases to customer s requirements get in touch if you want a quote We sell an eclectic

    Original URL path: http://www.norwichartsupplies.co.uk/miscellaneous.asp (2016-04-26)
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  • Norwich Art Supplies | Shop on-line
    Easels Portfolios Drawing Pastels Print Making Miscellaneous Shop on line Michael Harding Oils Charles Oil Colours R F Encaustics Schmincke MUSSINI Sennelier Egg Tempera Printmaking Inks Easels da Vinci Brushes Schmincke Horadam Gouache Etching Presses Terms Conditions Contact Us Shop

    Original URL path: http://www.norwichartsupplies.co.uk/index.asp?pageid=535818 (2016-04-26)
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  • Norwich Art Supplies | Michael Harding Oils
    60ml PR 170 Average drying Semi opaque Excellent lightfastness High oil content High tint power Scarlet Lake 60ml 15 16 Cadmium Red Deep 60ml PR 108 Fast drying Opaque Excellent lightfastness Low oil content Average tint power Cadmium Red Deep 60ml 41 30 Crimson Lake 60ml PR 149 Average drying Transparent Excellent lightfastness High oil content Average tint power Crimson Lake 60ml 35 06 Alizarin Crimson 60ml PR 83 Slow drying Transparent Good lightfastness High oil content Average tint power Alizarin Crimson 60ml 21 38 Magenta 60ml PR 122 Average drying Transparent Excellent lightfastness High oil content Average tint power Magenta 60ml 21 38 Brilliant Pink 60ml PW 4 PW 6 PR 209 Average drying Opaque Excellent lightfastness Low oil content Average tint power Brilliant Pink 60ml 15 16 Naphthol Red 60ml PR 188 Average drying Semi opaque Excellent lightfastness High oil content High tint power Naphthol Red 60ml 21 38 Genuine Chinese Vermilion 40ml OUT OF STOCK pending search for new pigment source by Michael PR 106 Average drying Very opaque Excellent lightfastness Very low oil content Average tint power Toxic Cobalt Violet Light 60ml PV 14 Fast drying Semi opaque Excellent lightfastness Average oil content Average tint power Cobalt Violet Light 60ml 65 55 Cobalt Violet Dark 60ml PV 14 Fast drying Semi opaque Excellent lightfastness Average oil content Average tint power Cobalt Violet Dark 60ml 65 55 Manganese Violet 60ml PV 16 Average drying Semi opaque Excellent lightfastness Average oil content Average tint power Manganese Violet 60ml 21 38 Ultramarine Violet 60ml PV 15 Average drying Transparent Excellent lightfastness Average oil content Average tint power Ultramarine Violet 60ml 15 16 Prussian Blue 60ml PB 27 Very fast drying Transparent Very good lightfastness High oil content High tint power Prussian Blue 60ml 9 68 Phthalocyanine Blue Lake 60ml PB 15 3 Fast drying Transparent Excellent lightfastness High oil content High tint power Phthalocyanine Blue Lake 60ml 15 16 Ultramarine Blue 60ml PB 29 Average drying Transparent Excellent lightfastness Average oil content Average tint power Ultramarine Blue 60ml 9 68 Cobalt Blue 60ml PB 28 Very fast drying Semi opaque Excellent lightfastness Low oil content Average tint power Cobalt Blue 60ml 41 30 Cerulean Blue 60ml PB 36 Average drying Opaque Excellent lightfastness Low oil content Average tint power Cerulean Blue 60ml 65 55 Phthalocyanine Blue and Zinc White 60ml PB 15 3 PW 4 Average drying Slightly transparent Excellent lightfastness Low oil content Average tint power Phthalocyanine Blue and Zinc White 60ml 9 68 Phthalocyanine Turquoise 60ml PB 15 3 PG 7 PW 4 PW 6 Average drying Opaque Excellent lightfastness Low oil content Average tint power Phthalocyanine Turquoise 60ml 15 16 Kings Blue Light 60ml PB 29 PW 4 PW 6 Average drying Opaque Excellent lightfastness Low oil content Average tint power Kings Blue Light 60ml 15 16 Kings Blue Deep 60ml PB 29 PW 4 PW 6 Average drying Opaque Excellent lightfastness Low oil content Average tint power Kings Blue Deep 60ml 15 16 Cobalt Turquoise

    Original URL path: http://www.norwichartsupplies.co.uk/michaelhardingoils.asp (2016-04-26)
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  • Norwich Art Supplies | "Charles" Oil Colours
    Yellow Pale Genuine 60ml Cadmium Yellow Pale Genuine 60ml 8 00 Lemon Yellow 60ml Lemon Yellow 60ml 4 10 Cadmium Yellow Hue 60ml Cadmium Yellow Hue 60ml 4 10 Cadmium Yellow Genuine 60ml Cadmium Yellow Genuine 60ml 8 00 Deep Yellow 60ml Deep Yellow 60ml 4 10 Cadmium Yellow Deep Genuine 60ml Cadmium Yellow Deep Genuine 60ml 8 00 Indian Yellow Hue 60ml Indian Yellow Hue 60ml 5 40 Orange 60ml Orange 60ml 4 10 Naples Yellow 60ml Naples Yellow 60ml 5 40 Flesh Tint 60ml Flesh Tint 60ml 4 10 Light Red 60ml Light Red 60ml 4 10 Cadmium Red Genuine 60ml Cadmium Red Genuine 60ml 9 60 Permanent Red 60ml Permanent Red 60ml 5 40 Scarlet 60ml Scarlet 60ml 4 10 Deep Red 60ml Deep Red 60ml 4 10 Crimson 60ml Crimson 60ml 8 00 Alizarin Crimson 60ml Alizarin Crimson 60ml 5 40 Rose Madder Quinacridone 60ml Rose Madder Quinacridone 60ml 8 00 Magenta 60ml Magenta 60ml 5 40 Violet 60ml Violet 60ml 4 10 Phthalo Blue 60ml Phthalo Blue 60ml 4 10 French Ultramarine Blue 60ml French Ultramarine Blue 60ml 4 10 Cobalt Blue Hue 60ml Cobalt Blue Hue 60ml 4 10 Cerulean Blue Hue 60ml Cerulean Blue Hue 60ml 4 10 Prussian Blue 60ml Prussian Blue 60ml 4 10 Light Green 60ml Light Green 60ml 4 10 Emerald Green 60ml Emerald Green 60ml 4 10 Opaque Oxide of Chromium 60ml Opaque Oxide of Chromium 60ml 8 00 Phthalo Green 60ml Phthalo Green 60ml 4 10 Terre Verte 60ml Terre Verte 60ml 4 10 Sap Green 60ml Sap Green 60ml 4 10 Viridian Green 60ml Viridian Green 60ml 4 10 Yellow Ochre 60ml Yellow Ochre 60ml 4 10 Raw Sienna 60ml Raw Sienna 60ml 4 10 Burnt Sienna 60ml Burnt Sienna 60ml 4 10 Indian Red 60ml

    Original URL path: http://www.norwichartsupplies.co.uk/charlesoilcolours.asp (2016-04-26)
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  • Norwich Art Supplies | R&F Encaustics
    been filtered without the use of chemicals Singapore grade damar resin and a heavy pigment load All of this results in the highest quality artist paints on the market Norwich Art Supplies stock an introductory range of 39 R F encaustic colours in 104ml blocks and R F Encaustic Medium in 454g bags Titanium White Titanium White 19 95 Zinc White Zinc White 19 95 Neutral White Neutral White 19 95 Cadmium Lemon Cadmium Lemon 30 50 Cadmium Yellow Light Cadmium Yellow Light 30 50 Cadmium Yellow Medium Cadmium Yellow Medium 30 50 Cadmium Yellow Deep Cadmium Yellow Deep 30 50 Naples Yellow Naples Yellow 21 95 Indian Yellow Indian Yellow 26 95 Cadmium Red Light Cadmium Red Light 33 95 Cadmium Red Medium Cadmium Red Medium 33 95 Cadmium Red Deep Cadmium Red Deep 33 95 Alizarin Crimson Alizarin Crimson 30 50 Warm Pink Warm Pink 26 95 French Mauve Reddish French Mauve Reddish 33 95 Cobalt Violet Deep Cobalt Violet Deep 38 50 King s Blue King s Blue 26 95 Cobalt Blue Cobalt Blue 33 95 Ultramarine Blue Ultramarine Blue 21 95 Phthalo Blue Phthalo Blue 21 95 Indigo Indigo 21 95 Turquoise Blue Turquoise Blue 21

    Original URL path: http://www.norwichartsupplies.co.uk/rfencaustics.asp (2016-04-26)
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  • Norwich Art Supplies | Schmincke MUSSINI
    red Cadmium red light 35ml 37 74 Vermilion red tone 35ml Brilliant opaque red bluer than scarlet yellower than carmine Vermilion red tone 35ml 14 10 Cadmium red middle 35ml Rich opaque red with high tinting power Darker and bluer than light cadmium red Cadmium red middle 35ml 41 00 Cadmium red tone 35ml Imitation of cadmium red middle with organic pigments High tinting power opaque cadmium free Cadmium red tone 35ml 37 74 Cadmium red deep 35ml Very deep red with a blue tinge High opacity and tinting power Cadmium red deep 35ml 37 74 Madder root tone 35ml Finely translucent dark brownish red Comparable with very red mahogany Madder root tone 35ml 14 10 Florentine red 35ml A translucent cold dark red with a slight brown tint Florentine red is based on the old Florentine colour which was obtained from Brazil wood and was similar in colour Florentine red 35ml 14 10 Translucent red oxide 35ml Warm finely translucent reddish brown commonly used today to imitate burnt Sienna Translucent red oxide 35ml 14 10 Madder lake brilliant 35ml Translucent very bright deep red Madder lake brilliant 35ml 18 77 Alizarin madder lake 35ml Cold rich dark red produces good glaze effects Translucent Alizarin madder lake 35ml 18 77 Madder lake dark 35ml Brilliant dark red with a blue tinge Lighter than alizarin madder lake produces a good glaze effect Translucent Madder lake dark 35ml 18 77 Carmine 35ml A standard tone designation derived directly from the Latin name for the cocchineal louse Brilliant red with blue tinge semi translucent Carmine 35ml 18 77 Translucent magenta 35ml Corresponds to the basic colour magenta in subtractive colour mixture produces a very good glaze effect Produces brilliant translucent violet shades when mixed with translucent cyan Translucent magenta 35ml 18 77 Caesar purple 35ml Finely translucent colour bluer than magenta In ancient times purple was obtained by means of a complicated process from the gland of a snail and was much sought after as a particularly valuable dye for artists colours Caesar purple 35ml 14 10 Cobalt violet 35ml Very pure violet with a reddish tinge Semi opaque Cobalt violet 35ml 54 98 Translucent violet 35ml Very finely translucent brilliant bluish violet with particularly high tinting power Translucent violet 35ml 14 10 Byzantine blue 35ml Dark black blue which retains its blue character Often appears in Byzantine frescos In former times it was obtained primarily from azurite and a small fraction of coal Composition of modern light fast pigments Opaque Byzantine blue 35ml 14 10 Indigo tone 35ml Imitation of indigo with very high tinting power and improved light fastness Also comparable to midnight blue on account of its depth of colour Semi opaque Indigo tone 35ml 8 54 Indigo 35ml Deep blue with very high tinting power This colour used to be obtained from the indigo plant or woad today indigo is produced by synthetic means Opaque Indigo 35ml 11 04 Delft blue 35ml Finely translucent dark blue shade with a red tinge Delft blue 35ml 14 10 Ultramarine blue deep 35ml Finely translucent very pure blue with a red tinge In the Middle Ages ultramarine was obtained from the semi precious stone lapis lazuli Produced by synthetic means since the beginning of the 19th century Ultramarine blue deep 35ml 11 04 Ultramarine blue light 35ml Lighter than dark ultramarine and with a slightly less pronounced red tinge Translucent Ultramarine blue light 35ml 11 04 Cobalt blue deep 35ml Semi opaque blue with a subtle red tinge Genuine cobalt blue was discovered in the 18th century and was first used in colouring at the beginning of the 19th century The colour of a radiant blue sky Cobalt blue deep 35ml 37 74 Cobalt blue light 35ml Semi opaque clear blue with a slight red tinge Cobalt blue light 35ml 31 62 Cobalt blue tone 35ml Imitation of deep cobalt blue with ultramarine Opaque with high tinting power slightly greener and duller Cobalt blue tone 35ml 8 54 Translucent Oriental blue 35ml Finely translucent brilliant deep blue the phthalocyanine pigment with the most pronounced red tint These pigments were discovered in the 1920s and are now one of the most important and most stable organic pigments Translucent Oriental blue 35ml 14 10 Prussian Paris blue 35ml Traditional colour Black blue with very high tinting power Its real shade is only revealed in glazes Has a tendency towards bronzing on account of its high pigmentation Semi translucent Prussian Paris blue 35ml 8 54 Royal blue light 35ml The classical royal blue was introduced under King Louis XIV of France based on a cobalt pigment The king s blue was light corresponding roughly to a green tinged sky blue similar to our royal blue light Opaque Royal blue light 35ml 11 04 Royal blue deep 35ml Deep royal blue is a brilliant medium blue produced with ultramarine Opaque Royal blue deep 35ml 18 77 Cobalt cerulean blue 35ml Semi opaque cobalt blue shade with a greenish tendency Cobalt cerulean blue 35ml 54 98 Translucent cyan 35ml Corresponds to the basic colour cyan in the subtractive colour mixture very good glaze effect Produces brilliant translucent violet shades when mixed with magenta and brilliant semi translucent green shades when mixed with lemon yellow Translucent cyan 35ml 14 10 Manganese cerulean blue 35ml Brilliant semi translucent blue with a turquoise tinge An imitation of toxic manganese blue using the non toxic organic phthalocyanine pigments Manganese cerulean blue 35ml 31 62 Translucent turquoise 35ml Very finely translucent brilliant turquoise blue the phthalocyanine pigment with the most pronounced green tinge Translucent turquoise 35ml 14 10 Cobalt turquoise 35ml Opaque highly light fast turquoise with high tinting power and extreme brilliance of colour Cobalt turquoise 35ml 41 00 Chrome green tone deep 35ml Opaque deep and pure bluish green with very high tinting power Formerly produced from chrome yellow and Berlin blue now imitated with non toxic pigments Chrome green tone deep 35ml 14 10 Turmaline green 35ml Dark rich

    Original URL path: http://www.norwichartsupplies.co.uk/schminckemussini.asp (2016-04-26)
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  • Norwich Art Supplies | Sennelier Egg Tempera
    art painting restoration and icon painting It is perfect for oil painters who need a highly pigmented fine art colour alternative to oil painting and its solvents Its archival characteristics are excellent as it does not age or yellow like oil paints Pigments are bound with a centuries old egg emulsion recipe giving a satin matt finish that is water resistant when dry It is not recommended to use egg tempera in thick applications These delicate colours hold their brush strokes and do not change colour when dry The complete range of 32 extra fine colours and mediums in 21ml tubes Egg Tempera Medium Egg Tempera Medium 7 50 Titanium White Titanium White 7 95 Zinc White Zinc White 7 95 Lemon Yellow Lemon Yellow 8 75 Cadmium Yellow Light Genuine Cadmium Yellow Light Genuine 11 95 Cadmium Yellow Deep Genuine Cadmium Yellow Deep Genuine 11 95 Cadmium Yellow Orange Genuine Cadmium Yellow Orange Genuine 11 95 Vermilion Vermilion 8 75 Crimson Lake Crimson Lake 9 95 Alizarin Crimson Alizarin Crimson 9 95 Permanent Intense Red Permanent Intense Red 9 95 Cadmium Red Deep Genuine Cadmium Red Deep Genuine 11 95 Carmine Carmine 9 95 Rose Madder Lake Rose Madder

    Original URL path: http://www.norwichartsupplies.co.uk/senneliereggtempera.asp (2016-04-26)
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web-archive-uk.com, 2017-12-15